The Valiant Woman

Over the past year, Dr. Joyce C. Polistena of Pratt Institute worked on an article about the various art works that are the product of the apparition of the Blessed Virgin Mary to St. Catherine Labouré in 1830, The Image of Mary of the Miraculous Medal: A Valiant Woman.

Anon., The Miraculous Medal, ca. 19th century. Gold.

It concerns the development of the image of the Virgin of the Miraculous Medal and contextualizes the image within the social and cultural milieu of 19th century France.  Dr. Polistena contacted me, asking for permission to use my painting of Mary of the Miraculous Medal as a contemporary example of the longevity of the image from the 1830s.  The article is now online at 19th Century Art Worldwide.  I’m quite humbled to be included in such a well-written and well-researched article.

David Gregory Taylor, Miraculous Mary, 2006. Digital painting.

 

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New Drawing

Basis for another work in digital format, about 40x60"

I’m working on combining several drawings into a larger work that is developed in digital and output as a wide-format print.

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Thinking of the Unthinkable

Let’s think of the state of the universe/multiverse before it poofed up to what it is now.  Now, if we think of anything, it seems we are thinking of something defined by mathematics.  Simply put, math is the operations addition, subtraction, multiplication, and division.  But that requires a bifurcation of something.  Add to something.  Subtract from something.  Make identical copies of something.  Take something and cut it up into something that if joined together makes a whole of the thing divided.

Cone Nebula

None of these things is possible before that *poof*.  The beginning of reality is nothing like what we experience, for even what we experience is a virtual reality constructed by our brains.  We don’t experience “reality” directly, or even in real time, since it takes an amount of time to  construct our perceptions in our brains.  Some brains experience some pretty wild things in this virtual reality.  So we can’t trust this virtual reality too much.  Which brain’s construction of the world is the right one?

Going back to that state where there is no mathematics is even tougher than figuring out which world view we rely upon.  It is so foreign we can’t even talk about it in a rational way.  No numbers will describe *it*, and I’ve suspected for a long time that the reason why physicists can’t seem to get to that exact state in their calculations is because those calculations can’t describe it.  The language we use to seek to reach it doesn’t exist at that point.   There is no order of operations if there are no operations.

So, what to do?  Dance around it like a campfire that doesn’t exist.

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Why I Teach High School

I had a cool job at New World School of the Arts.  Some of the best students I’ll ever meet were in my classes.  But I heard that the Woz was teaching high school, so I went into that, thinking it would be similar.  Ha ha ha on me.  It’s not.

In a high school setting, you encounter people that college filters out.  Those who might have been something; had a better, easier, not so grindingly painful life, but are not…but for you.  You can make a difference in a way college teachers can’t (I teach college during the summer vacations).

What am I getting at?

Who is this person? What happened to him?

This photograph really bothers me.  This is maybe a ten-year-old boy whose life is set in stone at an early age.  This picture was taken in 1938.  My father was that age in 1938.  He picked cotton for a dollar a day.  Like my father, the boy in the photo is most probably dead, but what kind of life did he lead?  Was it decided what his path would be this early?  My dad joined the service after WWII and then left the lumberjack trade, the trade of his father, grandfather, and great-grandfather, to become a traveling salesman.  My pa could talk a squirrel out of a tree.  Who knows what he could have accomplished if he’d encountered a teacher along the way who saw that ability as a sign of a keen intelligence?

That kid in the cranberry crops.  Why is a ten year-old picking berries in the hot sun?  What kind of beast employed children to line their coffers?  This little boy made pennies a day to pick produce.  He did not thrive doing this.

That’s my point.  Children should thrive, and live in conditions where that is possible.  To do that, they must be educated early, and opportunities should be open to them that are not contingent on their parents’ ability to foot the bill.  We have that in place in this country now, but methinks we must be vigilant in order that the old days not return.  Hell, let’s not pretend.  The fields of the South are full of migrant children who are undereducated today.

These children from the past haunt me, for I know they did not fulfill their purpose.  The wizened faces I’ve seen were once these children, and what wonders might have been if they’d had the chance to contemplate something deeper than bushel baskets?

That’s why I might look back fondly on my time teaching in a really good art school, but then those kids that might have ended up without recourse but for a teacher taking notice…

I’ll be okay.

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Developing Print

This is developing along a line I’ve pondered for using wide-format printing to emulate intaglio processes.

Woodcutter, 2012. 38x44 in.

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Beginning Something New From Something Old

I like to find antique photos and draw from them, then combine them with other old drawings.  Did this 30 minute drawing this morning.

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Driving Down Pass Road Rewrite

I’ve begun a rewrite of the last part, Part Four, of Book One, and the episodes of Book Two in Driving Down Pass Road. Part Four is done, rewritten, and I’m tackling the first two parts of Book Two now.

This series began its life in the Native American journal, Whisper n Thunder, but I decided to put it out there on its own in order to make changes in it that a quarterly journal wouldn’t allow.  Driving Down Pass Road is a work in progress, and it doesn’t bother me to share the development publicly.  If you read it at WnT, it’s a different ride now.

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New Works Shown @ ALMA Fine Arts Last Night

The four prints I showed @ ALMA Fine Arts opening last night.



These works are just the beginning of a large series that have a few score of images already done. The sci-fi illustrator Rick Berry has dubbed them “cool.”

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PHOTO Wynwood April 14th 7-10 pm

PHOTO Wynwood @ ALMA Fine Art. 2033 NW 1st PL., Miami FL 7-10 pm.

I’m in this one.

David Greg Taylor.See What I Could See #4. 2012. Digital Collage

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PHOTO Wynwood @ Alma Fine Art

I’m in a show, opening April 14th.  My stuff is all new.  Never seen before by anyone except maybe my collie.

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